Ciao Lee Tong
Ciao Lee Tong EP

Vinyl OnlyUndefined #12 comes from the hand of Dan Piu. Since 1992, Dan has been keeping it versatile by blending different styles of music throughout his career. We are very happy to welcome him to the Undefined family.His 'Fantasy Juxtaposition' EP resembles exactly what Undefined stands for; versatile and timeless.On the A side we have a straight up DJ track with a certain techno and bleep flava combined with deep luscious vocals. Aa. gives us an old nu groove kinda beat with naughty 80ies jazz and old school bleepy acid house.The B side starts with a real old recorded 90ies track, one of Dan's first tracks ever made. A dull love romance evolves from a harmony of batteling synthesizers layered on a break beat groove and fueled with a portion of soul. A mindbending trip. The Bb rounds it off! A track that Dan created back in 1998 together with his friend Gary Rich, Take a walk to a mysterious forest with this uplifting vibe. Gary Rich was a mysterious producer himself - people may know him from his Nightstalker moniker which he was in together with Dan.

AOW is a new collaborative project from Dan Ghenacia and Tolga Fidan emerging from a new period of creativity and inspiration for the Lisbon-based artists.Long time friends and fellow lynchpins of the European house and techno scene, Ghenacia and Fidan started working closely together through 2020 and 2021 while sharing studio space at Boa Lab. They found themselves at the heart of an artistic community of musicians, designers and engineers, which took shape around Ghenacia’s experiments with alpha wave generation, inspired by Bryon Gysin’s Dream Machine.Ghenacia and engineer Anine Kirsten developed a modern update on Gysin’s 1950s design, which has been installed at exhibitions in London, Lisbon and Paris. At its heart, the project explores the natural hallucinatory effects of alpha wave projections on the eyelids, and the therapeutic benefits of the experience. Out of this spirit of psychedelically-charged experimentation, Ghenacia and Fidan have been working beyond the confines of their typical club-oriented material, creating ambient soundtracks to artist exhibitions in Boa and auditory backdrops to Alpha Wave Experience installations.AOW bridges the gap between this new period of creativity and Ghenacia and Fidan’s life-long passion for electronic dance music. Compared to the strictures of house and techno they’re best known for, the three tracks on Hear the Light explore a more open, inquisitive sound with roots in UK electronica and West Coast psychedelic breaks (a seminal scene when Ghenacia was in the Bay Area in the 90s). Crucially though, it’s not a pointedly retro sound, but rather a result of rich streams of inspiration meeting and passing through crisp, modernist production techniques to offer somethinggenuinely fresh on the ears.Working outside of their comfort zones and guided by creative philosophies springing from research, shared experience and community, Hear the Light marks a new step forward for Ghenacia and Fidan, with many more developments promised for the future.

Far over on the west coast of the USA we find a room full of drummachines, samplers and keyboards. Hard at work is Israel ‘Iz’ Gravning aka Tone Scientist, who’s been using this Seattle studio to produce genre-defying future music for more than 25 years.An avid student of jazz fusion, hip hop, house, techno and others, hewas galvanised to build his own studio after hearing jungle and drum & bass on a trip to London in 1995. His musical course thus intersected with the collectives then pushing new dancefloor sonics rooted in the rich tradition of Black music – like Nuyorican Soul over on the east coast, and the new broken beats of IG Culture, Dego and Bugz In The Attic in London. Then, in the early 2000s, Iz put out a handful of EPs under different aliases, including ‘Lion Dub’ on the Guidance sublabel Subtitled, but soon stepped back from the public stage. That’s not to say he stopped making or playing music, though. Far from it. Fast forward two decades and our very own Walrus, chilly but happy in the depths of a Toronto winter, happened across ‘Lion Dub’ in the legendary Play The Record store. Intrigued, he tracked Iz down and discovered he had been active all this time. A short email exchange later and this 2xLP of archive material was born.These six tracks explain fully why Iz calls his studio the ‘Time Machine’: vintage equipment and instruments converse with up-to-date software; classic sounds and textures twist into fresh configurations; and Iz’s own creativity and musicality sings to us from a location beyond the trappings of time or genre.All music written, produced and mixed by Israel Gravning aka ToneScientist in Seattle/Washington between 2005 - 2008 except for “Things

Lacking no celerity in its approach to dancefloor traction, the second incursion on STRCTR from Paris-based rising talent Vitess is primed to slap a smile on the face of 90s breaks, electroid techno dashers and pumped-up trance lovers. Following up to releases on Happiness Therapy, Pulse Msc and Chat Noir Tools, Vitess is bound to break the sound barrier with “Splitter” - a no-frills four-tracker featuring two originals + two remixes designed to bulldoze its way onto upper spheres of consciousness with absolute panache and determination.

FR015 by Jay Tripwire, 12" Hand stamped, tracks from the vaults. Includes an unreleased mix of 'I wont Stop' by Sounds of the suburbs.

Remix megapack for Ryan James Ford's acclaimed Exshaw album. On duty: DJ Stingray313, Alden Tyrell, Sansibar, Dave Monolith and the Zenker Brothers. Versatile 5 tracker with each remixer doing their signature interpretation of Ryan's tracks. Design by Jonacthan.