Incus Oward Snad
Enter The Dungeon

New EP From Malik Hendricks, Brooklyn-based purveyor of raw andsoul-infused House sounds previously found on labels such as BlissPoint, Coloring Lessons and Darker Than Wax. On the B-Side is a remix from Eli Escobar, one of New York’s most iconic DJs of the city's contemporary House and Disco scene.

Move D relaunches Source Records with a series of 12“sdocumenting his set of live video streams recorded duringthe rst year of the pandemic - https://youtube.com/playlist?list=PLov_XkbIZrUwZQFbx3Y-GUyTJrkmrOHwl From theintroverted breakbeat driven ‚Unsocial Distancing‘ to thefriendly little stomper ‚Ston’d‘ (featuring Edinburgh’s Teltfort)to end Side A. Side B kicks off with ‚On The Kerrier DistrictLine‘ - slightly reminiscent of the uplifting and pop friendlierside project by Luke Vibert. Finishing off the rst 12“ is theAmbient track ‚F*cked In A Heartbeat‘ introducing a little bitof e-sitar as an added avour.

Jade Seatle met Jane Fitz at tech-house haven Kerfuffle in Brixton around 2005 or 06 (they don't remember). They bonded that day over records, and a strange story about a pebble.Disillusioned with parties in London, rather than moan, Jade and Jane decided to make their own. Night Moves was born in 2012, after Jade Seatle and Jane Fitz visited Jenifa Mayanja the Summer of 2011, at home in Connecticut, and promised her a party to play in London. What then evolved was a journey in music, gatherings and friendship, a lesson in how community can evolve from a dancefloor. Night Moves spawned Day Moves, Field Moves, a B2B partnership, and many, many ridiculous parties in a range of wonderful locations. The records on this release not only represent the sound of Night Moves - all are tried-and-tested NM greatest hits - but the sound that brought Jade and Jane together, informed what they do now, where they've been and where they are still to go.For Those That Knoe is proud to invite Jade Seatle and Jane Fitz to present the Sound of Night Moves, only available on vinyl!

Far over on the west coast of the USA we find a room full of drummachines, samplers and keyboards. Hard at work is Israel ‘Iz’ Gravning aka Tone Scientist, who’s been using this Seattle studio to produce genre-defying future music for more than 25 years.An avid student of jazz fusion, hip hop, house, techno and others, hewas galvanised to build his own studio after hearing jungle and drum & bass on a trip to London in 1995. His musical course thus intersected with the collectives then pushing new dancefloor sonics rooted in the rich tradition of Black music – like Nuyorican Soul over on the east coast, and the new broken beats of IG Culture, Dego and Bugz In The Attic in London. Then, in the early 2000s, Iz put out a handful of EPs under different aliases, including ‘Lion Dub’ on the Guidance sublabel Subtitled, but soon stepped back from the public stage. That’s not to say he stopped making or playing music, though. Far from it. Fast forward two decades and our very own Walrus, chilly but happy in the depths of a Toronto winter, happened across ‘Lion Dub’ in the legendary Play The Record store. Intrigued, he tracked Iz down and discovered he had been active all this time. A short email exchange later and this 2xLP of archive material was born.These six tracks explain fully why Iz calls his studio the ‘Time Machine’: vintage equipment and instruments converse with up-to-date software; classic sounds and textures twist into fresh configurations; and Iz’s own creativity and musicality sings to us from a location beyond the trappings of time or genre.All music written, produced and mixed by Israel Gravning aka ToneScientist in Seattle/Washington between 2005 - 2008 except for “Things

Classy Detroit leaning four track electro EP by Derek Carr on his own label Trident Recordings.