Acid For The Grandma
/Humans EP

DSP returns with a deep & contemplative split EP from Dublin’s Cignol & Bristol’s Gilbert. ‘Vision System’ boasts 4 machine-made, melodic electro tracks to tug on your heart strings.The record opens with ‘Events Unknowable’ an eerie example of Cignol’s distinct sound. Full of broken rhythms, swinging percussion, ice cold arpeggios, LFO warped pads and an acid line to remember.Electro doesn’t get much deeper than ‘Multicellular’. A beautifully sorrowful sonic statement coated in icey synth elements and nostalgia. Sophisticated simplicity at its finest.Gilbert takes us in a slightly more utopic direction on the flip side. Starting with the musical insight of ‘Harmony In Space’. A Dream laced vision for the future full of smooth synthesis, crisp basslines and pumping percussion.The release comes to a heartfelt conclusion with ‘Eleni’. Full of playful acid lines and expressive sonic elements. A loved up, euphoric masterpiece named after and dedicated to Gilbert’s daughter.

The sixth album by Emile Facey under the Plant43 moniker and the seventh release on his Plant43 Recordings imprint since its inception in 2020, Sublunar Tides is his most expressive and stylistically wide ranging to date. Over 52 minutes and nine tracks the album whisks the listener effortlessly from fast-paced dancefloor electro through the slowmotion cloud-soaring of Concrete Breakers, the intricate experimental synths of Perfect Ruin to the lilting, songlike tones of the emotional album closer 'Tides Align'.A co-founder of London's Bleep43 crew, Facey has been promoting underground electro and techno since the 90's. As a producer he's been releasing records since 2005 with a string of releases on respected scene favourites such as Central Processing Unit, Frustrated Funk, Semantica, Shipwrec and Cultivated Electronics. He has played live alongside DJ Stingray, ERP/Convextion, Sync 24, Surgeon, Legowelt, Urban Tribe, Svreca, Datassette among many others.

After shifting clandestinely between second hand crates as a bootleg vinyl for the last 25 years, Eddie Fowlkes’ Deepcover finally gets a proper pressing and 2 remixes by one of today’s most dedicated students of electro funk, OCB (Driss Bennis). Originally released on the Magic Tracks compilation CD by Juan Atkins, featuring tracks by artists like James Stinson and Keith Tucker, the track has all the elements of early techno soul straight from the hands of its inventor. Indescribable sounds combine in unexpected ways that just fit, pushing and pulling in all the right directions.

Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.

Steffi's fourth solo album, The Red Hunter gets remixed! This killer package with remixes by 9 artists close to Steffi's heart, represent her musical bandwidth with a very diverse mix from ambient, IDM, broken beat to electro, techno, and drum & bass! The special vinyl version opens with Convextion aka E.R.P who delivers his signature with a 10 minute ultra deep, beautiful, techno/electro journey. Italian talent Rosati drops a high energy chord techno monster and UK duo Tracing Xircles throw us in a deep trippy bath with their mixture of IDM with a lush broken

Rushing us headlong into a vorticist maelstrom of hard-edged drum stutter and polychromatic synth fragmentation, Sansibar sophomore long-player for Kalahari Oyster Cult - “Sans Musique” - tackles the very essence of post-trancey, breaks-loaded UK blends with unabashed joy to wreak havoc on his path. Throughout seven tracks oozing burnt kerosene and depleted uranium residue merged with a hint of sacred incense, Sansibar deploys his extra-wide vision for the present and future of dance music.“Scully” attacks pedal to the metal, hi-intensity bass onslaughts and knee-buckling breaks roaring as the groove slings us at bullet-speed into a hot, narrow barrel of floor-focused aggression. Fusing rattling DnB engineering with Goa trance motifs, “Force of Equilibrium” showcases Sansibar’s hybrid attachment to functionality and headspace fractalisation. Hi-velocity rimshots, pep vox samples and alien basslines blazing, “NRJ” eases us into a shape-shifting network of underground tunnels dwelled by shady raving creatures, harking back to Prodigy’s early wares and subsequent offshoots of the 90s era.One to bend your mind to, “Teal’c” taps into an even darker vein with its fast-cascading hats and von Oswald-ian dub whirlwind set against a surgically laid-down, unstoppable EBM bass comber. Jagged and oneiric to the finest extent, “Send It” peeps at prime Hokusai and Photek material in its first stretch, slowly making room for further spacious liquid junglism as bars run by. Cranking the 2-step/garage power levels up a notch, “Fantasmas” sends us spinning into orbit right away, while the LP’s closing track “Aurora” takes us on a languidly serene voyage of a finale, tempo slowed-down and suave trip-hop flavours exuding with increased sensitiveness.--Hailing from Helsinki, Finland, Sansibar is a non-pareil cosmic traveller - also producer, resident DJ at Kaiku and Post Bar and wave agitator on IDA Radio and EOS Radio - whose genre-unbound sound credentials for the likes of Kalahari Oyster Cult, Natural Sciences, Émotsiya, Darknet, Avoidance et al. have helped establish as one of today’s most intriguing talents in the European scene