DETROIT IN EFFECT
Open The Vault EP

Thick chords, swirling organs and timeless grooves intermingle on Unrestful Mind, the latest entry from A Thousand Details on HAYES.

Allumynd emerges from the shadows with a project that feels as though it has been excavated from the farthest reaches of electro history.Fresh from a summer spent deeply immersed in analog gear, Allumynd's debut album delivers 8 raw and electrifying tracks that capture the essence of an era yet speak boldly to the future. Each track, recorded live, surges with an intense energy and is crafted with both mechanical precision and an emotional undercurrent.

Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that keeps you coming back for more. Born out of a lifelong affair with the many shades of electronic rhythm and an obsession for collecting records since 1988, Paul is known and respected by many in the realms of underground House and Techno. Renowned for making hips and feet move at parties, clubs and fields across the UK and beyond over the last few decades.As a label owner, his mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, front room or even just your headphones. Rather than staying too hung up on the past, he continues to serve up the freshest in Acid, Electro, Techno, Deep House alongside sweet slices of Electronica. Sticking to the format of 4 superlative cuts from equally talented producers, the quality remains unquestionably consistent on Volume 8 of his various artist series. Kicking off A1 in style with a family affair from Acid House aficionado Affie Yusef and his daughter Leila, ‘Dublovr’ is a Class A slice of pure late night chug that rides clockwork rhythms to a rolling bassline. As dubbed out synths ring out to lift you skywards – eerie sweeping undertones add another dimension. Tried and tested since the summer season, the added layer of a TB-303 brings everything nicely to a head. Not to be outdone, Bristol based Electro emissary Zobol delivers a pure slice of machinist joy on A2 ‘Sense The Consesus’, showing his ability to finesse and balance uplifting melodies with warm synthesis on this finest of jams.Over on the flipside, Maltese producer Acidulant takes up the reins with the hushed tones of ‘The View of Her Shade’ on B1 – a thoughtful excursion into electro hinterland that’s a textbook lesson in making more with less. Last but not least, mysterious I Love Acid affiliate Type-303 turns out an exquisite IDM inflected serving of woozy broken Electronica on the mysterious ‘Knowhere’. Steeped in rippling melodies and aquatic atmosphere, the depth of focus resonates with a singular clarity that enchants on repeated listening.

Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can saysomething about a music whose core elements are forged on deliberate repetition; where real talent is attributedto those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses hisoutput, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in theTresor chronology.The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take adistinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselledfrom the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves thatwhile the genre may now be in its 40th year there are yet sonic explorations to be made and variations that areworth unearthing.

Vilamar collective’s second dance floor-oriented EP lands with a bang, concerning the intentions laid out in their opening salvo from late 2020: this is classical, transparent techno that leaves little room for interpretation. Intense bass weight, watertight arrangements, and an appreciation for the power of silence – all these qualities combine into raw momentum that will satisfy the voracious dancers of Waking Life’s floresta stage, Labyrinth, or the big house itself. Plug in and feel the pressure.

Círculo Cerrado presents its second album “Circular Economy”, 4 tracks that span a wide range of textures with the common denominator of atemporality.A1. Rindeau, the Argentinian illustrator and music artist from Strain Collective, presents“Machine soul”, intelligently crafted with the best combination of electro-techno and EBM.A2. Galdar’s breed Aniano materializes another mind-blowing track with “Encadenado a la Realidad”, a house tune with funk overtones and psychedelic undertones.B1. Javier Carballo and Aniano aka HDZ brings a darker engine “ La Furnia ”, trailblazing from breaks, IDM to acid house for full voltage.B2. Frenchman Tom Joyce, owner of Sounds Benefit label, captures in “ Good Game“ a hypnotic and minimalistic track with hints of tripping on top of 909 drums.