Jomni, Jori
Ponder EP

Santiago Uribe is back with a deep and elaborate musical oeuvre, further exploring his signature sound of bright timbres and complex harmonic lines. In this double-record, eight track rendition of a variety of moods, he delivers a wide array of ideas and conceptual statements that get their message through. A complete overview of his different style explorations past and present, this collection satisfies the most demanding connoisseurs.

Amsterdam's Locked-In imprint continues its hot streak with LKDNV07, a four-track EP by Offenbach's Tom Ries titled "Comeback Kid." This release showcases Ries' talent for crafting immersive, emotionally charged house narratives.The title track sets a warm, rolling groove with organic percussion and lush synths, creating a hypnotic late-night vibe. "Deepfried Diversion" blends soulful keys with driving rhythms for a true dancefloor odyssey.On the B-side, "One Eighty" combines classic house sensibilities with modern flair, featuring an undulating bassline and ethereal melodies. The EP concludes with "Rieses Pieces," a transcendent exploration of pure groove with interlocking rhythms and euphoric breakdowns.

The first release of Mutante Records comes from WLDV. A renowned Spanish producer coming from Bilbao in the Basque Country. With great releases already on labels such as Bordello a Parigi and Aspecto Humano.Navigating between genres such as New Beat, EBM, House and Techno with dark Spanish vocals to bring you a solid 4 track EP.

Novi orbis 07 compiled by Raphaël Bonneau is out.

Burnin Music bossman Pegasvs returns with his first new material in several years, and it's a classy collection that's been worth waiting for. '(No) Peace' begins the journey: a languid slice of ambient / downtempo beauty with hypnotic spoken word vocals from MA.MOYO which eases you into the EP in meditative fashion. 'Take It' ushers us more towards the dancefloor with some mellow synth-funk stylings and punchy raps from The S.O.S. weaving in and out of Twyla's effortlessly yearning vocals. 'Traffic Jam' is a sumptuous patchwork of deep house motifs, where Rhodes chords, funky guitar flecks and plump bass tones interplay beautifully, and 'La Nuit' rounds off in stripped-back Detroit house style—all murky chord stabs, throbbing low end and classic drum beats.

Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,comprised of four originals.For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has beenunveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’sTrelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered RhythmMetronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting homefor his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussivetwitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic worldwith haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchydrums.Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chordswells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. Theaptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tingedinfluences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned byshuffled drums and waves of sporadic oscillating synth.