Harry Wills
Heads & Volleys EP

Far over on the west coast of the USA we find a room full of drummachines, samplers and keyboards. Hard at work is Israel ‘Iz’ Gravning aka Tone Scientist, who’s been using this Seattle studio to produce genre-defying future music for more than 25 years.An avid student of jazz fusion, hip hop, house, techno and others, hewas galvanised to build his own studio after hearing jungle and drum & bass on a trip to London in 1995. His musical course thus intersected with the collectives then pushing new dancefloor sonics rooted in the rich tradition of Black music – like Nuyorican Soul over on the east coast, and the new broken beats of IG Culture, Dego and Bugz In The Attic in London. Then, in the early 2000s, Iz put out a handful of EPs under different aliases, including ‘Lion Dub’ on the Guidance sublabel Subtitled, but soon stepped back from the public stage. That’s not to say he stopped making or playing music, though. Far from it. Fast forward two decades and our very own Walrus, chilly but happy in the depths of a Toronto winter, happened across ‘Lion Dub’ in the legendary Play The Record store. Intrigued, he tracked Iz down and discovered he had been active all this time. A short email exchange later and this 2xLP of archive material was born.These six tracks explain fully why Iz calls his studio the ‘Time Machine’: vintage equipment and instruments converse with up-to-date software; classic sounds and textures twist into fresh configurations; and Iz’s own creativity and musicality sings to us from a location beyond the trappings of time or genre.All music written, produced and mixed by Israel Gravning aka ToneScientist in Seattle/Washington between 2005 - 2008 except for “Things

Sharam Jey pres. Stressmann – House The Party © 1996 FriendsCle Acklin – No Need To See (Main Mix) © 2003 Soundproof Music2 tracks.45 RPM.It’s a steal!

2024 RepressWriting about techno is quite difficult without falling into cliché: there are only so many ways that you can say something about a music whose core elements are forged on deliberate repetition; where real talent is attributed to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit, Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the Tresor chronology.The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.; each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno; perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are worth unearthing.

Release info: Spanish duo JNJS make a striking debut on Supervibe Music with a four-track vinyl release that highlights their unique sound. Known for their masterful use of percussions, JNJS delivers a blend of elegant grooves and hypnotizing synths that pull you in from the first beat. Each track is a testament to their growing reputation, offering a seamless fusion of rhythm and refinement that’s perfect for the dance floor or deeper listening. Early support by: Tania Vulcano, Arapu, Priku, Nu Zau and more …

For the upcoming instalment of 'Abstrack Future,' Diskorrekt co-founder and label head Cape has brought together four of the most prolific Latin American producers for a 'various artists' compilation. Totally dancefloor oriented and designed to make you lose track of time through a mix of energetic and atmospheric futuristic techno and trance with a tribal twist. Connecting the past with the present will not let you unveil the future.We would like to present Two Phase U, Manuk, C.ru.Z and Mat Roz all together in this unforgettable compilation that you won't take out of your dj dag for a long time.

Elon Dust’s Sex Tapes From Mars imprint gives Victorious’s 90’s “Play Safe EP” new life, with three remastered house emeralds."All My Love” stands alone on the A-side, and Victorious has successfully bottled the magic of classic house music, delivering a track that strikes brilliance being both timeless and timely. It's a soulful, uplifting affair, sharing an emotive yet slinky journey through rich, sultry vocals and a vintage melody that breaths deep with warmth, swing and euphoria.On the flip, “Can You Feel It” is anchored by dubby, shuffling drums that provide a hypnotic groove, and Victors voice yet again delivers a performance that is as enigmatic as it is intoxicating, layering the track with a sensual, almost haunting allure.A wiggly bassline sets a playful yet driving tone on “Do It To Me”. Spacey synths glide then sweep in, building an atmosphere that is both expansive and intimate, perfectly primed for the after-hours. Each element is carefully placed to serve the groove, making "Do It To Me" a masterclass in restraint. It’s a track designed to move bodies without unnecessary flair, relying on its raw energy and drive to carry the listener. This is house music in its purest, finest and most functional form.