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Garbage World

Unusual Traxx first vinyl release is finally here. The first ever physical EP is brought to light from the label's boss Mark Shadow, debuting on wax with 4 dancefloor-ready tracks. Strong rhythmic elements, analog synths, and uplifting bassline sounds are the key elements in Mark's production and they are all beautifully blended in one-of-a-kind EP. Sit back, relax, and enjoy your flight.

Lucky number seven arrives on our Prozpektiva series and for this record we turn to Cyan85. To date more so known for his electro-breaks sounds and although is technically not a new and up & upcoming artist we are happy to present a new sound which sees the producer turn to House Jams only on this record, serving a variety of vibes from dreamy to creepy, over funky to stumpy.

Reflex Blue debuts on Spectral Bounce with The Bleeps, a five-track EP that weaves a somber yet captivating late-night ambiance. Over a string of releases in recent years, Reflex Blue has been sculpting a distinct and evolving sound, blending the core minimal aesthetic of UK Tech House with influences from his homeland.This homage to early 2000's Tech House captures its essence while infusing it with a fresh, pulsating perspective. The opening track, 'Dracula’s MPC', sets the tone with its club-ready elements: crisp drums, deep bass lines, and captivating vocal samples that command attention throughout. On the B-side, "Interlude" offers a glimpse into Reflex Blue’s large palette with its boppy and quirky breaks. It's a spectral record in every sense, making it the perfect sophomore release for the label.Written and produced by Cooper FraserArtwork by Susanne JanssenWords by Hervé Kacou

Ring Ring Ring! The dawn of a fresh day brings a new release near. Squid Recordings inks its way into existence with a heavy foot on rave Americana.With releases on Rush Hour, Velocity and his own Nylon Recordings, James ‘Nylon’ Thomas sees his Nylosphere project reborn, remastered and retouched (over two decades later) for the modern world.The two widely varying title tracks, backed with equally contrasting mixes, are a microcosm of what late 90s, American-made dance music embodied. That is, a web of genre hopping maximalism, analog driven punchiness and a beautiful uncertainty to a post millennia world.

Mike Shannon & Felipe Valenzuela team as Calcio Club to deliver a stellar package of minimal house grooves.

Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can saysomething about a music whose core elements are forged on deliberate repetition; where real talent is attributedto those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses hisoutput, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in theTresor chronology.The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take adistinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselledfrom the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves thatwhile the genre may now be in its 40th year there are yet sonic explorations to be made and variations that areworth unearthing.