Unknown Artist
PVC 04

The second release from Mirror Vinyl Series is out with four producers from four different South American countries, four dancefloor useful tools. Sudaritmo EP moves beetween electro, U.K. tech house, breaks and deep house, this new EP from Argentinian label brings a variety of tracks for every moment of the night.

Long awaited arrival of the mysterious yet not so mysterious known as The Artist Formerly Known As Minister President aka TAFKAMP. The A side features the warehouse lovestory we all dream about while the flip features darker tracks.

KEY Vinyls 47th release dives into a silver-plated, machine driven world crafted by Eduardo De La Calle: Kapila. Across four chapters, De La Calles veteran touch shaped by over 25 years of sonic innovation brings to the label a sleek yet abrasive metallic landscape.The A side opens with Kardama, unfolding a funky yet metallic interplay with sharp bells and stinging rides slicing through a round, acidic bassline. The track proposes a wide spatial range of sounds, a continuous exchange and interplay of elements.Khatvanga follows, soft yet needle-sharp a lullaby evoking complexity through simplicity. Deceptively minimalistic, its delicate construction disguises its robust power, marking a signature De La Calle moment: feeling held by a soft energy which is equally pungent. With Kankas, the tempo intensifies.Rugged surfaces and strong high frequencies merge with a type of construction that leans heavily on rhythm, channeling the pulse of a machine in its element. And lastly, Kala mutates into a sci-fi fever dream.Tense atmospheres build, the machines world grows fuller, and shimmering synths take on a life of their own. The result is a dense, captivating finale that mirrors the increasingly blurred line between man andmachine.

The Collective Cuts sub-label of Cinthie’s 803 Crystal Grooves makes a welcome return with a fresh VA package, featuring Willy Mikkelson, Luca Olivotto, Batch One and Roque (CRP).Since its inception back in 2020, Cinthie’s Collective Cuts imprint has welcome the likes of KETTAMA, 9th House, S3A, UC Beatz, Anaxander, Azuni and many more onto the label. Here the story continues with more dynamic house jams from Cinthie’s coterie of underground artists from across the globe.Nashville, USA’s WiLLY MiKK leads with Devastate, laying the foundations for the records with a classic Hip House vibe, fusing crisp drums, bright stabs and bumpy bass with choppy hip hop vocals. Small Great Things head honcho Luca Olivotto follows with‘Passion’, the Berlin based Italian delivers his refreshing disco-tinged House aesthetic via funky guitar licks, bright chord melodies, ethereal pad textures and shuffled drums.Batch One’s ‘When U R Free’ follows to open the flip side, merging snaking arpeggios and bouncy bass notes with uplifting piano lines and a raw, robust rhythm section. Spanish artist based out of Basel, Switzerland Roque (CRP) then concludes the package with ‘Bring It Down’, perfectly rounding things out on a deeper tip, raw, reduced drums carry the groove alongside an amalgamation of chopped vocal chants, dubbed out stabs and tension building strings.

Two foundational releases from Toronto's Strobe Records get a well-deserved reissue on the Clone Classic Cuts series, spotlighting a pivotal moment in North American dance music. While often overshadowed by the Detroit and New York scenes, Toronto's underground in the early '90s was brewing its own potent blend of house and techno - and these tracks are prime examples of that cross-border synergy.The Hayden Andre Project's contributions sit at the perfect intersection of tribal house rhythms and the emotive, machine-driven pulse of early Detroit techno. There's a raw elegance here - a sense of deep groove layered with just the right amount of percussive tension. It's no surprise that these tracks became staples in the crates of DJs both then and now. The production feels timeless, with hypnotic arrangements that still command the floor over three decades later.On the flip, Kingdom Come, another alias of Ron Allen, delivers lush, blissed-out house music that channels the soulful energy of New York's golden era while adding a uniquely Canadian sensibility. Allen's piano work, layered with warm pads and swinging drums, gives these tracks an unmistakable vibe - equal parts deep house ecstasy and garage swagger. It's the sound of 3 a.m. euphoria, of packed dance floors and emotional peaks.

Straight fire from the vaults! Three deep raw joints including the legendary floor anthems "Live at Palladium" and "Back to my Groove” by the legend Phil Weeks, back on wax with that gritty groove. OG vibes only — limited press, real heads know. Grab Rare Cuts before it's gone!