Danny Snowden
Ebullience 001 EP

Hidde Van Wee hails from the Netherlands and is an emerging house talent who does it all from electro to minimal, always with a future-facing outlook. After outings on PIV and Heavy House Society, he lands here on Ebullience with four stylish and fresh house sounds. 'Seduction' is sleek and synoptic with cosmic pads and space-tech energy, 'Use Me' layers heartfelt chords onto crispy and softer-edged drums with a balmy mix of bass and pads. The flip brings the bouncy tech of 'Another Day,' and 'Dig This' shuts down with some moody bass but radiant synth smears that hark back to early Gs like Danny Howells.

Phone Traxxx is back. Snaking into your record bag with another high-score.Dig out your burner, plug in the charger and dial 1-800-UKG-4LYFRoad-tested favourites from the live set make a limited appearance on vinyl.

Dutch House giant Dennis Quin drops four fresh house cuts and is the second artist to release on Haven Trax. Four tracks that suit peak moments and early morning afterparties.

Lincus is a new name for us, which is always exciting because it means you get to assess the sounds on their own merit with no extraneous baggage. Whoever is behind these betas on Slabs knows how to cook up heavy kicks. 'Feel The Rhythm' has a swagger and syncopation to it that is perfect for this label, with bold bass and hints of Kerri Chandler's kick to the kicks, all run through with some woozy late-night synth work. 'Pazazz' is another blend of low-end kicks and sleazy synths with some filtered vocals adding a touch of human warmth to what is a vibey cut.

Earlier this year, Miche launched the archive-based Daybreakers label with a fine rummage through the back catalogue of legendary New Jersey garage-house label Music Station. Here he returns to that imprint's vast vaults for a second selection dedicated to the mid-90s work of James Nathaniel Tinsley AKA Nathaniel X - or to be more specific, his eponymous 1994 debut EP. Opener 'Gotta Get Over' remains a special and pleasingly glassy-eyed affair that pairs the organ-rich garage-house swing of NJ records of the period with nods to analogue-rich Chicago deep house of the time. It comes accompanied on side A by the more bumpin' and gently musically rich 'Gotta Go Dub'. Over on side B, the jazzy, organ-rich deep house science of 'Free Yourself' is paired with the soul-fired "trad garage" joy of 'Get Up'.

Five years since his last record, Ron Obvious returns with a four-tracker built for deep dance floors worldwide. It’s an honour to have this low-key legend on Ghost Recs — and that’s Basically it.