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Les Mirages EP

After MOY's 'Orbital Resonance' EP started the label in spectacular fashion, the second release on Damo B's EMOTEC comes from Ritual Poison co-founder BufoBufo. Following a run of releases on Furthur Electronix, Tone Dropout, Partout and Kouncil Cuts, BufoBufo's 'Perceptual Channels' EP merges acid, electro, breakbeats and the emotive melodies that have become a signature of his music. 'In The Reeds' sets burbling 303s and sci-fi synths against shredded drum loops; 'Silver Disk' nods to a love of classic hip-hop and hardcore, with a monstrous electro bassline; 'Scrying Mirror' has lush house chords, addictive bass and dark interludes; and 'Remote Viewing' is a more reflective downtempo piece with a blissed-out top line and influences from ambient and IDM.

Hanagasumi - hazy curtain of flowers, cherry blossoms appearing from afar like a white mist - this phenomenon can be seen during the sakura blossom in Japan.The third release on the label from the musician Shine Grooves. This vinyl is a mini LP of five tracks with different moods. The release is opening with a melodic track with exciting keyboard chords, performed in the best traditions of electro rhythm. On the second track, the mood changes towards a glitch house with a 4x4 beat and a naive melody that penetrates deeply into the mind. The first side of the vinyl is closing with a techno track - a loop recorded on a Roland TR-606 drum machine with an atmospheric melody that flutters in the air throughout the entire composition.The second side of the vinyl starts with a 10-minute ambient ode, with cosmic synthesizer sequences and fragments of phrases from telephone conversations - a slow entrance to another reality. The last track on the record has an experimental IDM flavor with melodic guitar tones.This LP is made on 12" vinyl, hand stamped, limited to 300 copies. High quality analogue mastering by Sergey Luginin at Luginin Studio.

Vilamar finally step out from the shadows with a debut of rigorously sustained bass pressure. The product of endless smokefilled studio sessions in Lisbon’s industrial Eastside, each cut is imbued with the contrasting glint and grime of the nearby river port. Whether it’s the earthy breaks and grinding half-step of the A-side or the water-drenched dub and dnb on the B, Vilamar take a wrecking ball to the monotony of the club, breaking a new path out into the rave jungle beyond.