The Eyes of Goa
Syncrosonix EP

Michka, has been immersed in technology since age 10. His musical journey began at 17, spanning classical, jazz, and rock. In 1992, he debuted with a keyboard and synthesizer-led rock record. Transitioning to Techno with his first production under KHARMA alias.Notably, he's set to release his latest work on Fluyo Records' third installment curated by Jorge Escribano.

Interdance returns for their third instalment.On the A side representing Argentina, we introduce Vinz, a young talent, hailing from Buenos Aires underground scene. On A1 we have “ Instinto “ a kind of trance techno straight from 1992. While on A2 Transradio immerses you in its cinematographic ambience, heavy drums and acid synth lines.On the B1 side we have Uruguayan Juan Dairecshion, crafting a more mental and trippy vision of techno, keeping the energy of the four on the floor bass drum we have rebel rebel. On the inside UR love, a more mysterious cut, dark vocals, crazy melodies and the classic spooky but effective heavy Detroit techno sound Juan’s trying to bring back here.

PEIM002 delivers a serious and dynamic sonic statement — a bold and profound EP crafted for the dance floor.A1. Sequence kicks things off with a groove-driven ride, blending early 2000s tech house and minimal influences. Designed with DJs in mind, this track is a weapon for peak-time moments. A2. Resonant dives deeper into hypnotic territory. A techno looper that builds into a state of trance, locking you into its rhythm with subtle shifts and pulsating textures.On the B-side, B1. Wanna (Original Mix) brings a cheeky, rebellious flair. It’s a dirty roller built for those darker, mischievous moments on the dance floor — pure attitude. B2. Wanna (ILDEC Remix) takes things to another level. With a masterful blend of techno and progressive elements, ILDEC reimagines the original into a powerful, polished cut that demands attention.An essential four-tracker for selectors who like it deep, driving and unapologetically club-ready.

With The Hidden Beauty Of Dutch House '94-'98, Anacalypto Records dug deep into the electronic archives of The Netherlands. Continuing their audio archaeology, their second release breathes new life into a true gem. Closer is the first and last appearance of Luc Wächerlin aka Luca. Originally released in 1998, the four tracker was one of the final EPs to come out on Orlando Voorn’s ephemeral Slamdunk Records. The twenty-five-year-old press release describes the 12” as a collection of “beautiful, elongated, shimmering, Detroit style trancers for the morning after the night before.” Accurate words. The four works on offer are from the heyday of Techno, where flourishes of Detroit combine with the deeper currents of Sheffield for something energising and immersive. From the liquid synthwork and floating choral lines of the title piece, the listener is bathed in throbbing radiance and warmth. Echoes of “the night before” comes through in “Indian Summer.” A steady kick is the bedrock from which spirals of piano flow, fluid key changes providing a groove that roots this track firmly to the floor. Cascading chords introduce “Ultramarine”, subtle drum patterns giving way to acid scented bass and gentle currents of string. The quartet comes to a close with “Proxima.” Rich textured percussion supports drifting notes and silken chords, a touch of the otherworldly seeping through in tumbling 303 trills. Closer is years beyond its time. Soulful compositions that belong to the burgeoning sound of Techno that was developing across the globe in the 1990s. Four works of beautiful machine music lovingly restored for a new audience.

Since first performing together in 2017, Ciel and CCL have spent years bonding over music, idiosyncratic cinema, and sampling as an art form. After watching the cult-classic movie “Technolust” – in which Tilda Swinton plays four different roles in the same film – Ciel and CCL viewed the role of the "genre-fluid" DJ/producer/multi-hyphenate in contemporary dance music in a similar absurdist light. On Tilda’s Goat Stare, the duo sought to create a record that straddles their love of cinematic immersiveness in dubstep, bass music, and deeper shades of prog with the tongue-and-cheek-sassy flair they’re both known for. Taking genre tropes and pastiche-surrealist scenes as a basis for experimentation, the duo’s music leans into each snapshot, making room for playfulness, cinematic surrealism and self-reference–a rotating cast of samples and characters, with a piece of them in each.