Elias Sternin & Nicolas Arin
Ratiug 005

Trance Pandemic is back with new full cover EP - masterpiece of Dima Phase designer.The musicians' solo sound is changing, they continue to search for themselves, thereby releasing without losing the atmosphere and drive in their music.Komponente takes its rhythm from 707 drum machines and 80s synths, adds a TB 303 and wraps it in long pad melodies in Boston Dynamics.In Acid Explorer, he builds electro-trance with the sound of a nuclear siren using Elektron machines and packs everything into his favorite voice presets from Korg. New and old music technologies are intertwined into one whole, giving birth to new sounds from the late 20th and early 21st centuries.Kurilo continues to work with modern sound machines, drawing on the best and creating a smooth, even groove. If you like trance synthesizers, mysterious melodies, then your choice is Eating Raoul, nothing more, a sound inspired by the New York night where Evgeniy currently lives.Not From New York carries a different trip, but no less atmospheric, deep bass and acid accents - everything you need for a dense sound on your sound system, be it a club or rave party or a home sound system or headphones.In general, although the release is different, it is united in one thing: atmosphere and melody.

The thirteenth drop from Curtis Electronix comes courtesy of veteran of the electronic music scene. Edward Upton has been producing music since 1994 and much has changed since he unveiled his debut release under the DMX Krew alias. Warp Zone LP showcases the great mastery of his studio, his technical expertise and his exceptional ability to create monolithic soundscapes using very few elements. Each layer contributes to a rich, immersive experience, each element resonates with depth, highlighting his deep understanding of club music, sonic texture and space.

It‘s all about a balanced brekky. Release your release.

Deep dive into Tom Roland's latest vinyl release ‘Exposure’. Crafted with precision, this collection of tracks is the fusion of driving beats, infectious rhythms, and fresh production.A Side:Exposure - Let the grooves take you on a journey through rolling bassline, crisp hi-hats, and hypnotic synth loops. This opener sets the tone with its lush synths and crafted drops.Free Ride - This track delivers a raw, unfiltered groove straight from the heart of the 90’s scene. With its chunky beats and hypnotic loops, it’s designed to keep the dancefloor moving.B Side:K2000 - Dive deeper with this moody track that brings an edgy vibe to the release. With driving beats, subtle melodies and a touch of acid influence.Zero Control - Closing out the vinyl with this groove-laden cut, featuring rolling bass, melodic elements and dynamic percussion. It's the kind of track that builds and builds, creating an irresistible urge to dance.Each track is offering a rich palette that reflects the depth and diversity of the genre. This vinyl is a tribute to the timeless sound that continues to inspire.Only 200 copies.

Shoyu 003 is finally landed with 4 dance floor track through on Pauli’s interpretation.

Cyber Alien Communication marks a key milestone for the SQNC collective, which is now evolving into a label under the name Sequence Records and unveiling its debut release: SQNC001. This first release brings together two distinct yet complementary sonic worlds, embodied by Hearthug and Cybercafé aka Adam Dirk’heim.On the A-side, Hearthug delivers what has already become an anthem—a groovy, irresistible track, crafted for the dancefloor and driven by a mischievous voice that weaves seamlessly into the rhythm. His second track takes a more acidic direction while maintaining his signature fluid and infectious groove, which has been moving crowds over the years.On the flip side, Cybercafé aka Adam Dirk’heim lays the foundations of his musical identity: a powerful and immersive sound built on deep, pounding kicks, distorted synths, and an entrancing, hypnotic energy that draws from retro-futuristic electronic influences. Cyber Alien Communication represents the collision of two worlds: the extraterrestrial, playful energy of Hearthug, and the cyber, electronic intensity of Cybercafé. Two distinct approaches, but one common goal: delivering high-impact, dancefloor-driven tracks.