Torai
Artemis EP

Burnski's Constant Sound is very nearly at 50 releases and not one of them has ever dipped below essential levels of quality. Kepler has been a regular contributor to this fine catalogue and returns with more of his shuffling, playful and charming garage cuts. 'Recall' manages to be both deep and driving, with cute chord stabs and a smart vocal sample that adds the r&b gloss. 'Flavour' has those old school stabs and filthy basslines and 'Loft Groove' is a bouncy, low-slung number with organic percussion. Closing out another high-grade offering is 'Don't Stop' which brings some dubby chords to a slick, punchy house rhythm. Pure class.

The mysterious DJ EXS lands on AOD’s sister label, DHUTT, for his debut release. Blurring the lines between garage, techno & bass music!

Burnski's Constant Sound is back with more badman garage madness and this time it is Dennis Quinn in charge. 'Good Stuff' opens up with mad raw beats and menacing low ends, then 'Damage' picks up the pace with a mix of sleazy vocal samples and metallic hits. 'Sweatshop is a bumpy house cut with long-legged drums and swirling pads that bring the feel good vibes and 'Major Minority' shuts down with a more late-night sound, intriguing melodies and thudding kicks that you will not be able to ignore.

It feels like most every week Burnski starts a new label that is immediately as good as all his others, and here is this week's case in point: Reliance is a super limited new outlet from the super producer and it kicks off with ODF who you may know from a brilliant remix of Special Request. 'Yeah (Uh!)' opens with bubbly basslines and neon melodies and is a timeless garage bumper. '2 Turn' then brings the funk with tight bass and lovely silky drums, 'Rattlesnake' is more dark and menacing thanks to the trippy samples and low end and 'Back To 98' is a stateful shot of garage nostalgia direct to the veins.A

Small or significant, material, immaterial, items define much of our daily life. We are in the 𝙚𝙧𝙖 𝙤𝙛 𝙞𝙩𝙚𝙢𝙞𝙨𝙖𝙩𝙞𝙤𝙣.𝙄𝙏𝙀𝙈𝙄𝙎𝙀 𝙔𝙊𝙐𝙍𝙎𝙀𝙇𝙁The first item in the catalogue, hardware evangelist and live performer Otis.Presenting sounds for the higher self: 𝙍𝙚𝙙 𝙁𝙡𝙖𝙜𝙨 𝙬𝙧𝙞𝙩𝙩𝙚𝙣 𝙖𝙣𝙙 𝙥𝙧𝙤𝙙𝙪𝙘𝙚𝙙 𝙗𝙮 𝙊𝙩𝙞𝙨. Built for dark rooms and soggy limbs. A devout purveyor of hardware and analogue, Otis’ revered live performances are greedy with drive and dance. Machine-led but felt in toes and gut. His live act craft can be traced through this EP garnering influence from industrial, early 2000s electro and progressive trance. Sweat as currency the common thread.This, another item for your dance directory. Trinket thing piece music. A keepsake.