Goutham & Jeremy
Revival EP

Nothing But Nice is back for round 4 with an EP from co-founder James Andrew. The 4 track excursion showcases James’ current sound palette, ranging from deep and dubby, to groovy and trippy, each guaranteed to do the do.Nicely!

Spincycle are back on Coin-Op Records. To celebrate 25 years since writing it, they’re repressing their much sought after first release on Geek Records: Coin-Op/Cold Sweet Beer. Originally released as Geek#001, now repressed for the first time on Coin-Op#003. It’s Coin-Op on Coin-Op!!

For the second edition of ‘City To City’ series we arrive in Lisboa. A city with a rich heritage of electronic music born from a strong affinity to authentic, underground dance culture. Institutions like Lux Fragile have carried the sound of Lisbon since its formative years in the late 90’s. Its long-standing resident DJs now deservedly receiving global recognition and in return, introducing a wider spectrum of appreciation for the sound of the city. Here on ‘City To City’ we introduce six original tracks from seven artists currently making waves in Lisbon.

Vinyl only. New label Slam Duncs by Duncan Thomas introduces itself with 4 super deep grooves,focused on swung, ultra funky drum patterns, dusty deep bass lines and lush harmonies. This fusionof 90s and minimal house act as an ode to the old school with a fresh lick of paint.

Originally released in 2005 and now repressed due to high demand, Da Sunlounge's ‘1972' EP remains an underground classic 20 years later. The tracks continue to appear in deep house and tech house DJ charts and influential sets around the world to this day.The track ‘1972' features a tightly crafted groove that blends tech house elements with a gritty, bumping house sound, enhanced by sampled jazz elements.‘Elvis' is a playful, bass-driven deep house track that flows smoothly with rich chords and spoken word samples.'Whore House' is a club-ready banger built around cheeky spoken word samples, gritty hooks, and a funky, bumping

Mr. G, aka Colin McBean, presents a remastered, 23-track compilation entitled 'OG Retrospective''The day I found my original studio masters and got my rights back was the starting point, and then I realised it's 25 years on and it's time to recode, remaster and reevaluate because I've never looked back properly. I've always been like a bat out of hell, never quite thinking I'm good enough or great at what I do, but it's important to celebrate, because there's nota lot of people still here, still doing it after this length of time'.With new masters provided by Simon at the renowned London mastering house The Exchange London, a direct link to the original mastering done by the late-Nilz (Nilesh Patel) from The Exchange, Mr. G's 'OG Retrospective' marks a reflective period in McBean's life.'All I've ever done is write and move forward, but more and more, I get the new generation sending me videos of my old tracks and sometimes I don't even recognise them, so finally I thought, 'ok, you're comfortable in your own skin, let's really see how you sounded at the beginning, how you've changed, how have the techniques changed'?It was quite raw going back over these; some of the memories are riddled with pain and angst - friends dying, where I was in my life at the time, having a heart attack and so on. Having a sound, too, can be a cross to bear. You're only ever competing with yourself, your only game is being better than your last game, so if you dwell on the past too much you can't move forward. Getting to the point where I can look back and feel happy, feels good.Invariably, what will come from this is 'more', because, with my own label I have endless possibilities and will continue telling my story.'