Chris Pascoe
Mong Juice / Trippy Breakfast

Label head Rob Pearson and long-time collaborator Paul Donton return with a heavyweight 12” that captures the essence of the Evasive sound — raw, hypnotic and undeniably underground. Fresh from a run of gigs, remixes and late-night studio sessions, the duo present the latest instalment in the coveted limited vinyl-only series on Evasive Records.Kicking things off is the title cut “Who’s The Boss”, a peak-time weapon forged back in 2018 and road-tested extensively on dancefloors worldwide. Revisited and reworked in the Online Studios lab, the track has been given a sharp 2025 update, pushing the tempo and intensity into perfect territory at 125 BPM. Anchored by a hypnotic rolling groove, its trippy synth riff weaves around eerie pads, FX flourishes and a sly narrated vocal. Underneath it all, a thunderous sub bass line locks everything down — the kind of cut that commands the floor rather than asks.Track 2 on the A-side, “Loosen Up” continues the pressure. Don’t be fooled by the name — this is high-grade tech-funk built for serious heads. A driving percussive backbone keeps the energy surging forward while vocal stabs teasing “Relax” and “Pretty Deep” contrast its relentless momentum. Filtered arpeggios ripple through the mix, adding texture without ever smothering the groove. And just when you think you’ve found steady ground, a wobbling low-end flex hits you right in the chest — all hips, toes and tingles from there.To complete the package, the pair turned to a true underground icon: Jay Tripwire. Known for his deep, intricate and uncompromising sound, Jay delivers an extended reinterpretation of “Who’s The Boss” that’s nothing short of masterful. Clocking in at 11 minutes and 12 seconds, this remix is a full-blown journey — expansive, detailed and effortlessly hypnotic. So strong, in fact, that it takes the entire side of the record. No gimmicks, no shortcuts. Just a seasoned craftsman at work, reimagining a future classic.Who’s The Boss EP is a statement of intent from Rob Pearson & Paul Donton — timeless underground energy pressed to wax for those who know.

Spincycle are back on Coin-Op Records. To celebrate 25 years since writing it, they’re repressing their much sought after first release on Geek Records: Coin-Op/Cold Sweet Beer. Originally released as Geek#001, now repressed for the first time on Coin-Op#003. It’s Coin-Op on Coin-Op!!

For the second edition of ‘City To City’ series we arrive in Lisboa. A city with a rich heritage of electronic music born from a strong affinity to authentic, underground dance culture. Institutions like Lux Fragile have carried the sound of Lisbon since its formative years in the late 90’s. Its long-standing resident DJs now deservedly receiving global recognition and in return, introducing a wider spectrum of appreciation for the sound of the city. Here on ‘City To City’ we introduce six original tracks from seven artists currently making waves in Lisbon.

Vinyl only. New label Slam Duncs by Duncan Thomas introduces itself with 4 super deep grooves,focused on swung, ultra funky drum patterns, dusty deep bass lines and lush harmonies. This fusionof 90s and minimal house act as an ode to the old school with a fresh lick of paint.

Originally released in 2005 and now repressed due to high demand, Da Sunlounge's ‘1972' EP remains an underground classic 20 years later. The tracks continue to appear in deep house and tech house DJ charts and influential sets around the world to this day.The track ‘1972' features a tightly crafted groove that blends tech house elements with a gritty, bumping house sound, enhanced by sampled jazz elements.‘Elvis' is a playful, bass-driven deep house track that flows smoothly with rich chords and spoken word samples.'Whore House' is a club-ready banger built around cheeky spoken word samples, gritty hooks, and a funky, bumping