Funk Assault
Minimum One Post A Week EP

Chlar returns to his Primal Instinct label with 'Modern Survival'Following the widely praised Funk Assault (Chlar & Alarico) 'Minimum One Post A Week' EP, which kicked off the Primal Instinct label last summer and won the support of the likes of Rodhad, Tasha, and Luke Slater, as well as routine plays from Sarah Story on BBC Radio 1, Chlar now returns to his imprint with solo venture 'Modern Survival'. While the first Primal Instinct release saw references to artist urges and behaviours on social media, this next instalment explores a modern recontextualisation of humanity's hierarchy of needs in yet another high-concept EP.First up, 'Internet Soulmate' boasts a crunchy bassline as its drum work chugs along the track playfully. The groove twists and turns before the hypnotic and tribal 'Supermarket Hunting' continues with sounds of nature, loopy rhythm and syncopated bleeps.On the B-side's 'Body Control Officer', human-made grooves intertwine with machine-like thrum, synths whirring and zapping, while 'Competitive Influencing' takes off with rolling percussion, subtle whistles and distorted vocal one-shots. Closing out another stellar offering from the Primal Instinct frontman, Chlar brings the dark 'Scout My Algorithm', a brooding slow-burner offset by smooth arpeggio snippets and warped slices of digital noise."In an era where technology entwines our everyday existence, where the virtual realm shapes our interactions, and where the pursuit of influence takes centre stage comes an EP that delves deep into the modern tapestry of human existence. 'Modern Survival' is not merely a collection of songs and visual clips, but a poignant reflection on the intricate dance between our primal instincts and the brave new world we navigate today. The EP invites listeners on a journey of self-discovery and reflection, prompting them to ponder the fundamental essence of our existence in an environment of fast-paced technological evolution." - Chlar

- 2025 repress -As one of the most Sought after artists of the recent years, there is no doubt that "Alarico" is on the front line of the new generational techno movement.After recent releases in labels such as Klockworks, Token and Mutual Rytm, The Milan Based producer taking the gloves off and Debuting his first solo EP on his Co owned label "Primal instinct" alongside Chlar.The anticipated 5 tracker release "Carnal Fever", is an impeccable showcase of Alarico's ability to push his musical aesthetics even further and keep developing his signatured modern minimalistic textures into new levels.

Deetron's been turning out serene house and techno for many a year but he changes tact here and presents Soulmate on Ilian Tape. It's an EP with a wide array of influences and kicks off with 'Path' which is bright, melodic, electric house music with cow bells galore. 'Zoom' is tightly coiled, loopy, dusty, turbocharged tackle with a warming intensity and then 'Screen' pairs more balmy and blissed-out chords with hurried beats and layers of FX and percussion. Last of all is the best of the lot - 'Blade'. It's a tribal, percussive cut that cannot fail to sweep you off your feet. (Juno review)

yet is a slippery word in English. Amorphous, these three letters in dierent contexts can define contrast or emphasis, set a place in time, show an expectation that something will occur or, paradoxically, that it is likely to stop.It is this mercurial nature that makes yet the perfect title for Tresor’s latest compilation: the label follows on from the more explorative sections of 2021’s landmark Tresor 30 boxed set with a compilation, featuring 13 artists making music that resists easy definition.Every track hints at and borrows from the familiar yet none follow the expected path: halfway through Deserto, Nandele & A-Tweed dramatically reveal a very dierent sonic landscape that was initially suggested; DJ Sotofett collaborates with Sri Lankan artist Kavadi with results that are unlike anything in the Norwegian producer’s catalogue as yet.Further invention can be found as Jean Redondo’s Hypersonic moves across spaces inhabited by digital hardcore and hyperpop before swerving o-road and into a futuristic hip-hop section; on No Longer Human, Ireen Amnes takes a dierent path at the crossroads melding hyperpop, trance, and sci-fi soundtrack atmospherics, Significant Other heads towards UK Bass and Dubstep, and France’s Willis Anne skims by the outskirts of footwork with a piece that is almost completely uncategorisable.Yet more sonic experimentation comes from E-Saggila, Nadia Struiwigh, NVST, Solid Blake, and Viikatory who oer unique takes on the well-established electro blueprint, while Ryan James Ford, and Nit. both find ways to blend elements normally found in ambient pieces with those heard on a dancefloor.The feel of the compilation is yet again reflected in the enigmatic artwork by Malik Arbab, where shapes and colours suggest animals and plants but in a world that appears to be transient and constantly evolving.

Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. Three of the finest in this collection were contributed by Surgeon; 'Basictonalvocabulary', 'Balance' and 'Force + Form' all originally came out on the Berlin institution between 1997 and 1999.Surgeon's inimitable combination of Detroit techno and post-industrial sounds emanating from his British homeland found its fullest expression in these masterful trio of releases on Tresor.Tresor Records have decided that its high time to give these seminal albums another airing, and will present each in a staggered series of 2LP represses throughout the year.'Force + Form' is the last chapter of this re-issue series, centered around Surgeon and represents a turn- ing point both in the artist's career as well as for the history of techno music.Tresor.117 was remastered in 2015 by Matt Colton at Alchemy Mastering, London.

A decade has now passed since Discrete Circuit launched the AWAY party and label in Berlin, hence this celebratory compilation featuring previously unheard cuts from label regulars and – perhaps more significantly – some very high-profile guests. Highlights from those in the latter category include the low-slung house haziness of Moodymann (the fabulous ‘No’), the piano-smothered deep house positivity of Move D (‘The Garden’), the ghostly techno-not-techno of Axel Boman (the nostalgic, warehouse-ready hypnotism of ‘Lucky Luke’) and the stomping techno intensity of Mark Broom (‘Ain’t No Thang’). You’ll also find treats aplenty from the AWAY crew, including Discrete Circuit’s own TB-303-powered acid throb-job, ‘Tenterhooks’. A suitably sensational anniversary collection all told.